Selective Focus

Jeff Lemke operates a web site, Twin Ports Rail History, and Flickr account where he posts photos he has taken as well as photos he has collected documenting the history of the rail business in Duluth and Superior. We are showing a very small sample of the images here, but you really need to check out the collection he has, as well as read his descriptions for each photo. If you are so inclined, you can also donate to keep the project going. It really is an impressive historical collection.

J.L: Most people look at my site and think it is about trains. Perception is reality in most cases. But for those who actually look closer and read the details of each image that I post, they discover that it’s really a developing story in pictures about the people who worked for the railroads and the industries that those railroads collectively served. The locomotives, railroad cars, and facilities that each railroad used were in a constant state of flux—right from the beginning. During the late 1880s railroads like the Northern Pacific and Great Northern established strongholds of land in Duluth and Superior respectively, on which they built their inland-port empires. Other railroads came along, prospered too, but to a much lesser degree.
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Shawn Thompson has been creating breathtaking images of Lake Superior and the surrounding area for several years. He talks about how he got into photography and getting up early for the perfect shot.

S.T.: I am mainly a digital photographer, but I also enjoy shooting film. Film is a recent endeavor for me. Both have their perks. Digital is fantastic for the instant gratification and ease of making an exposure in just about any condition. (more…)

Ashley Kolka is a collage artist who makes small-scale pieces, mostly about small towns and rural settings.

A.K.: I make miniature cut paper collages from recycled magazines. My best one-line summary of what I do is that I make small works about small places. My logic for working small is both philosophical and practical. Small works create a sense of intimacy with the viewer and can be purchased at an accessible price. Most people in the Duluth art community know me in my role as the grants manager at Arrowhead Regional Arts Council. That job takes most of my time; working small fits the space in my life that I have for art making! (more…)

For the first Selective Focus of 2017, we start off with Kristina Estell’s sculpture and installations which depend on form and material but are also defined by their locations around the world.

K.E.: I studied sculpture in undergrad at Herron School of Art and in graduate school at the University of Minnesota, Twin Cities. Very early in my art education, I knew I was interested in making serial sculptural work that interacted with architectural and outdoor spaces as opposed to singular traditional forms that lived on pedestals. In recent years, I have become primarily an installation artist who creates dimensional work with a variety of materials, processes and spaces. My work is often site-specific or site-responsive … making projects that consider a particular location and/or context. Silicone molding rubber, natural stones, fabric, live plants and gold leaf are a few of my favorite mediums. In between larger projects, I love taking up the process of watercolor painting and have an ongoing series based on bubble wrap packaging material. (more…)

For years, Hansi Johnson has worked as an advocate for outdoor recreation in our region, and his photography shows the rest of the world how lucky we are to live here.

H.J.: I am a photographer and I generally shoot full frame DSLR. However I am not married to any one camera, aspect ratio or format. I have published photos from my Iphone, my cropped camera as well.

I am generally considered an action photographer but like all labels that description is not quite right. My style is more around environmental photographs but instead of shots that only show landscapes I love to position a person interacting in that space as well, generally enjoying some form of adventurous outdoor recreation.
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Jeff Ruprecht is a curious guy who’s not afraid to jump into new things. He tells us how he sorts through a constant stream of ideas and projects.

J.R.: I work in many mediums and categories. I’m a graphic designer first, but I consider myself a “maker” at heart. I love to build things, make things, sketch things. I love technology, but love true craftsmanship and ways of doing things. (more…)

Bryan French has been busy over the last couple of years building a photography business as well as the Duluth Folk School. This week we hear about Bryan’s artistic side.

B.F.: I’m a photographer (and director of the Duluth Folk School, an adventure guide with Day Tripper, and on-call naturalist at Hartley). My background includes an undergrad in musical theater (song and dance!) and a master’s degree in environmental education (nature!). I’ve been making photographs for about ten years. (more…)

Eric Helland makes things from natural materials. His work shows off the beauty in the texture and grain, and also in the imperfections and missing chunks. (more…)

Ken has been working for many years as a designer for print, interactive and other projects that typically make their way through the ad agency where he works. Recently, he’s been applying his design skills to some innovative 3-d and other projects. (more…)

Earlier this year, my friend Val started posting photos her dad had taken to a Facebook album. They were obviously decades old, but they were pristine. These weren’t scans of tattered, faded, off-color prints found in a box in the basement, they were scanned from the slide film her dad shot. A couple years ago, my mother-in-law passed away, and my brother-in-law took on the job of scanning the best photos from a big chest of old pictures and sharing them with the family via Dropbox. All this makes me wonder what will happen as most or all of our family photos become electronic, not physical. (more…)

Our area has provided plenty of stunning scenes for photographers, but Joe Polecheck’s photos go beyond typical landscapes as he has some fun with subjects, tricks and experiments.

J.P: I’ve always been involved in the arts, both painting and drawing ever since I was a child. I’ve always been able to identify things I liked or not when appreciating photography. About 2 years ago, I realized I’d better put up or shut up and try my hand at it. And as my wife has told me, “nothing can just be a hobby for you” which leads me here today! (more…)

Shawna Gilmore has had a busy year, with four shows in eight months, so chances are you’ve seen her sometimes surreal combinations of nature, kids and animals around town. This week in Selective Focus, she talks about her work and what she’ll do with a little bit of down time.

S.G.: I am a visual artist painting primarily in acrylics on wood panels. I occasionally use graphite and paper, my first artistic love. My style is ever-evolving. . . but my current illustrative style came about from a piece I did 3 or so years ago called “Beneath Her Feet” Everything about that piece made sense to me, from the starry sky and trees/roots, to the vintage woman and her farmhouse. It was really a lightbulb piece for me. I had been experimenting with people in my work, women’s faces mostly, but only the vintage characters rang true for me. Somehow their timelessness and history add the genuineness I need for my more narrative images to transcend current times. I also realized I was most interested in telling stories through surrealistic scenarios in my paintings. (more…)

Mary Plaster is best known As a papier-mâché artist, and for the Duluth All Souls Night celebration she has led. She tells about her work and the challenges of putting on an event like Duluth All Souls Night.

M.P.: I am a self-employed artist and facilitator, working in a variety of mixed media for 35 years. I paint, sculpt, do graphics, and photography. Fresh out of Missoula, MT High School art classes, I attended Minneapolis College of Art and Design and worked at Children’s Theatre Company in the properties department. I saw my first MayDay Parade in the late 1970s and fell in love with In the Heart of the Beast Puppet and Mask Theatre (HoBT). I also attended a mask and physical theatre school near San Francisco. (more…)

Tonight (Friday, August 19) at Prove Gallery, there’s an opening of a collaboration between Flo Matamoros and Brian Ring called “The things they carried.” Flo Matamoros tells how her spontaneous, flowing style came to be.

F.M: My creative background is one that has been shaped by obsessive curiosity through the tool box that Art History is and the amount of creative mentors I have had since a child.
I was fortunate enough to receive around 7 years of classical painting training from age 7 until 14 in El Salvador (thanks mom!). So, I had to paint a lot of what I consider boring shit. Still life, landscape, flowers, etc. My professor said I had to master all that “boring shit” before I was allowed to paint the human form. So it took me until my freshman year at St. Scholastica (I started my higher education as a Chemistry Major because I thought that painting was bogus and Art was meh) to get over myself.
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