Art
Homegrown Music Video Fest 2016
The videos from the 2016 Homegrown Music Video Festival have been popping up online, and PDD is archiving them on a page. We’ll continue to add to the collection as we find them or as they are sent to us.
Here’s a sample by Tomas Soderberg – “Machinery” by the Social Disaster
The Art in Mayor Larson’s Office
[This post originally contained an embedded video that is no longer available at its source.]
PDD doesn’t typically post promotional videos, but this one from the University of Minnesota Duluth’s School of Fine Art offers an interesting glimpse into some of the artwork in Duluth Mayor Emily Larson’s office, particularly focusing on Stephanie Boyum’s piece that melds an archival photograph of Fifth Avenue West over a modern-day scene.
Selective Focus: Sasha Howell
With Selective Focus, we plan to highlight a variety of visual artists, giving some exposure to people working in disciplines that don’t immediately come to mind. This week, we have one of those people. Sasha Howell tells us about her corner of the design world.
SH: I am a costume designer! I work with local theatre and film groups in designing and implementing a costume design – usually my own. I also dabble in my own fashion design and anything to do with clothing and textile – shoes, accessories, hair, etc. I originally started student life at UMD with a Studio Art major and quickly realized it wasn’t exactly what I was looking to do – creatively. So I switched to a Studio Art MINOR and gravitated towards the Theatre department because, to me, that was a much more practical and exciting use of my talents and interests. I became quick friends with all the right people and worked closely with the costume shop there. I instantly fell in love with costumes because with EVERY new show there was opportunity to learn new techniques, new history, and to try something new! I quickly became known in town for costumes and demand started to increase. On average, I’m working on at LEAST 2 overlapping shows, but always tossing around ideas on several shows at once. On the side, I also paint abstract series and enjoy making jewelry. (more…)
Tender Nads
For one long moment after I unintentionally swooned over a young man’s testicles, all 70 students in the UMD class I was teaching stayed mostly silent.
The incident happened in 2003, during an otherwise average session of Introduction to Cultural Studies. UMD’s course guide says the class, “Examines how cultural practices relate to everyday life by introducing students to each of the four core areas of the Cultural Studies minor: Identity Politics, Media Cultures, Cultures of Space & Place, and Cultures of Science, Technology, & Medicine.” My teaching contract was in Writing Studies, but the Sociology/Anthropology department faculty member in charge of Cultural Studies heard I might be into teaching something different, and my department head was cool with the idea. It’s been one of my favorite experiences in 20 years of trying to help people learn things.
I seek opportunities to participate in conversations with students and anyone else about how belief, intent, socialization, and other forces intersect to influence our actions. I approached Intro to Cultural Studies as an extended problem-posing conversation. I’d start most days by naming an example of something most of us in the room take for granted or don’t notice, then I’d ask a bunch of questions like, “Why do we do it that way? What happens if we try to do or see it differently. What if we did it for reasons different from the generally accepted ones? Who gets to decide?” (more…)
Selective Focus: Jordan Sundberg
This week’s Selective Focus profile subject is Jordan Sundberg, an illustrator and designer with a deceptively simple style. She tells her story below.
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Sketch Bomb with John Hoban at UMD
John Hoban, creator of Captain Artichoke, Apocalypse City, and Night of the Smurfing Dead, lead a Sketch Bomb at UMD on Monday. The event was planned by Pat Maus of the Archives and Special Collections area of UMD’s Martin Library. (more…)
Homegrown Banner Submissions
We’re looking for Homegrown-related banners for that funky horizontal space at the top of the page. The image must be 1135 pixels wide by 197 pixels high.
To submit a banner photo, e-mail your JPEG file to: banners @ perfectduluthday.com
We’ll run the banners during the Homegrown Festival next week.
Duluth Book Releases in 2016
In and Out of Context
Photography by Tim White
With excerpts from 21 northland writers
inandoutofcontextbook.blogspot.com
(Jan. 21)
The Duluth Grill Cookbook II
Written by Robert Lillegard
Photography by Rolf Hagberg
duluthgrill.com/cookbooks
(Feb. 29)
Barbarian
My friend John and his wife Chieko left John’s son from his first marriage behind at Stone Farm. Stone Farm, Suffolk, is all I need to write as an address on the letters and postcards I send to him twice a year in the United Kingdom. The family home (occupied by John, Chieko, John Jr., and John’s mother) is older than the United States. When the bowing timbers used to frame the home were cut, the colonies were still colonies.
John spent a week in Duluth. He was to give lectures at the Alworth Institute about energy policy in the U.K. And of course, ostensibly, he was here to visit his friend, David. But John was a fisherman. You don’t cross the Atlantic to talk about U.K. dependence on natural gas to Minnesotans. You come to fish.
We visited Gooseberry, and John took romantic photos under the falls. We ate smoked fish and lobster — John ate at Red Lobster so many times because the exchange rate between the pound and the dollar was so favorable. (more…)
Selective Focus: Marian Lansky
Marian Lansky is part of the team the operates the Kenspeckle Letterpress, one of the most interesting, fun studio/shops in town. It combines centuries-old art processes with modern technology to create loads of great work. There will be an Earth Day open studio and shop on Saturday, April 23, from 11 a.m. to 4 p.m. on the second floor of the DeWitt-Seitz Marketplace, an opportunitity to stop in and see the work and meet the artist. Marian and her husband, Rick Allen, will also be a part of Siivii’s Earth Day show, just across the alley from DeWitt-Seitz.
Below, Marian explains her work and process in her own words. (more…)
The Day I Jumped Out a Window
When I was 11, my best friend was Eddie Griffenbacher.* He lived with his grandma, for reasons he never detailed. (*No, it wasn’t. But even I don’t want to talk shit about someone. It’s not because I have class. Eddie would kick my ass.)
He was very, very, impressively naughty.
He came by this honestly: his grandmother was like a David Lynch character. She was short, round, and, I think, chronically intoxicated. She curmdugeoned around her house in a beige sweater-vest over a plaid shirt, khakis and fluffy white sneakers that resembled King’s Hawaiian rolls. Her hair was old-lady-did into fully-formed curl banks, but the back left corner of her head was all matted down and disarranged, like gray-hair crop circles amidst the otherwise puffy rows. She smoked endless Benson and Hedges cigarettes; they dangled eternally from her yellow fingers, the nails of which she kept painted the same bronzey-brown color for as long as I knew her. She was always drinking some ice-cubey alcohol cocktail from an amber-glass tumbler: between the yellow of her fingers, her nail polish, and the yellow tint of her glass, it seemed like everything around her was saturated completely with tar. Somehow, her entire microcosm had become the color of an old fly strip. (more…)
Selective Focus: One River, Many Prints
Starting this week, Selective Focus is changing direction. Instead of variations on a weekly theme as before, we will be posting brief profiles of visual artists and happenings around the area. We start it off with a collaborative project between UMD students and elementary students. (more…)
Dispersion
Adam Dargan, an animator from Duluth who now lives in Minneapolis, “captures the process of emulsion on 35mm film being dissolved in three-dimensional space” in this video. “It explores the feeling of nature and visual landscapes that are created from unconventional sources.”
I Did Love the Place Then
After several hours of splashing around, I pulled myself up to the dock. I held onto the edge and floated. My daughter said, “Your wedding ring is gone.”
What kind of kid notices that? I thought she was kidding. Then, I looked at my left hand. No ring.
I spent the next hour swimming with a scuba mask trying to pull off a miracle. The lake water looks like tea because of the tannins. Or maybe even darker like root beer. As I swam down, I could barely see. I hoped to see a little glint in the gravel. It never happened.
So, now I wear a replacement ring. The ring I put on twenty years ago sits at the bottom of the Whiteface Reservoir, a permanent part of the St. Louis River watershed. I sit like Gollum on the dock, sip my gin and tonic, gaze out over the water, and wonder about my precious. My precious.
When I was a kid, I didn’t notice things like rings on my dad’s hand. But I noticed his finger and where it pointed on the topo map. It was deer season in Plymouth, New Hampshire. I was in high school and an important part of the game plan to fill the freezer with venison.
“I’m going to sit here at the top of this drainage,” my dad said. “You walk down the road on this side of the ridge to here. Come over the ridge and walk up the drainage toward me. If you hear a shot, sit down for five minutes. Then, when you hear two shots, it means I found the deer and you can walk to me.” He said drainage so much during the huddle, I thought he was talking about nasal passages instead of a small mountain valley. (more…)
Selective Focus: The St. Louis River, Recreation

Hansi Johnson, untitled
Somehow this seems both an apt and inapt way to close my editorship of this feature. There are plenty of sites to pore over images of our region’s abundant natural beauty, but few that foreground the real people who live, work, and play here. That was my fundamental ambition; to recognize the vast human capital here, to weekly call for snapshots, pictures of domestic ordinariness, matters not needlessly prettified. Reality, even when it’s harsh is sufficiently beautiful to me. (more…)
In Defense of Duluth Poets
The arts and culture review website Partisan namedrops Holy Cow! Press of Duluth in an article by Harvard English Professor Stephen Burt titled “In Defence of Minor Poets,” published today. The namedrop occurs without actually mentioning Holy Cow! by name, but instead referencing Duluth with a hyperlink to Consortium Book Sales & Distribution’s page about the Duluth publishing company. (more…)
Dalles of the St. Louis River
The illustration above is from William Cullen Bryant‘s classic book Picturesque America, published by D. Appleton & Company of New York in 1872 and 1874. Bryant was editor of the book; the illustration is by Alfred R. Waud.
Taking it Outside
I’ve overbooked myself lately.
A common problem and in this case, it’s completely my fault — taking on more foolishness than hours in the day. So, like most of us, I cut corners by eliminating “extra” stuff, like exercise and staring into middle space.
My near daily walk in Chester Bowl or less frequent craning-of-neck views of the bluffs at Tischer Creek has been put on hiatus. (Even though I live near one park and drive past the other daily.) I’ll ’fess up to only one, maybe two visits to Canal Park and Park Point beach this winter. I mean, I’ll be back, you know, just after the due date passes, that class ends, oh – and, that other thing.
I’m embarrassed to say that recently I’ve seen more Duluth landscape on Perfect Duluth Day and Destination Duluth these days than actually experienced.
And I’m worse for it.
I need to take a Sharpie and write, “I’m happier when I play outside” backward, then slap it on my forehead so I can read it in the mirror in the morning. Plan accordingly. (more…)
Selective Focus: The St. Louis River, Contemplative Space

Sharon Mollerus, “Water Lillies”
I was fortunate to spend my first Arrowhead New Years Eve in a cabin in Jay Cooke State Park; bird watching, snow-shoeing, and far from the inebriates (though I did bring a flask). Even photographed a ghost buck (pictured below), warmed by a cedar and oak fire as a soft snow fell to welcome 2016. It was a grand introduction to the St. Louis River.
For the next two weeks Selective Focus will take part in the “One River, Many Stories” project which asks for tales of your relationship to this unique watershed. This week we’re concentrating on the river’s abundant natural beauty; a place for restive contemplation, and awe. Be sure to see the Duluth Art Institute’s kick-off the project on Monday, April 4, with a photo essay by Ivy Vainio, Tom Hollenhorst’s interactive maps, live drumming, and a video booth with PBS’s Karen Sunderman who’ll record your stories. (more…)
Waving at Strangers
It started when I was twelve years old and my father consented to buy me a mini-bike. It was the real deal, a miniature motorcycle, not some boxy frame with a lawn mower engine. Sixty CCs, one hundred and twenty pounds, it would do fifty miles per hour. What a foolish gift.
There had been a couple of go-carts around the neighborhood before bikes took over. Two brothers had cobbled one together but had yet to master the complexities of throttle control or brakes. We put their sister on it, wound it up, and let it go. I don’t know how she eventually came to a stop, but she was last seen careening between the trees in our beloved public park. It was obvious from that experiment their machine had two too many wheels.
I probably knew a dozen kids with mini-bikes. My friend two blocks away had one identical to mine, and ours were among the coolest. Most common were the Honda 70s. Ugly, but they could keep up. The boy across the street had a Suzuki Trail Hopper. Pathetic. Honda 50s were tiny. The clown car of mini-bikes. One kid had an Indian which sounded like a chainsaw cutting sheet metal, yet law enforcement was strangely absent for a couple of summers when the world was young. (more…)
Selective Focus: Spring (Dare We Speak its Name?)

Christine Dean, untitled
The recent spate of lovely weather, coinciding with the vernal equinox, is a trap. We know this, yes? Having seen it snow in June, and still, we live in hope. There are gardens to ready, trails to follow, newborns to raise. Spring, tantalizingly close, isn’t for the timid, the reclusive, or the misanthropic. It’s time to be an upright, active being again until Summer’s indolence overtakes us. (more…)
Review: Kathy McTavish’s Høle in the Sky
Is there a hole in sky? Art mesmerizes the Food Farm!
Media artist Kathy McTavish and the new-music ensemble Zeitgeist took over two windowless rooms of the Food Farm root cellar in Wrenshall this past Saturday to present the interactive exhibition Høle in the Sky to an audience of about 25 people. (more…)
The Meal that Almost Killed Me
My wife and I had just completed the trifecta of stress-inducing life events. In the span of two weeks we had gotten married, moved to a new city, Chicago (where we would be living together for the first time), and I started a brand-new job at Northwestern University (where I knew exactly one person).
My commute from our apartment near Wrigley Field to Evanston was nearly 45 minutes. Which I got to spend on the packed red line train, sitting next to a revolving roster of the cast of One Flew Over The Cuckoo’s Nest – Public Transportation Edition.
My “favorite” commute was the morning I sat next to a perfectly lovely older lady who smiled and moved her new handbag so I could have more room. We rode in silence for a moment before she asked me where I was heading. (more…)










