Art
Walking My Portrait Home
Retrieving my portrait from the Duluth Art Institute, where it had been part of artist Sarah Brokke’s “Portrait of an Artist” show. On the walk home I stopped a few places, got my taxes done, and had some drinks. That’s my friend Troy there at the end.
Selective Focus: Catherine Meier

Catherine Meier pours time and detail into her large drawings, and then she puts even more time into animating them. She talks about the meditative process of making these large, quiet installations.
C.M.: My work is based in drawing. I suppose that drawing was my entry into art making. Since I was very young I have been able to draw well and it has been something that I have done throughout every phase of my life — even when I was a truck driver hauling cattle across the Great plains, I had drawings in progress. (more…)
2017 Duluth Superior Film Festival seeking submissions
The Duluth Superior Film Festival is taking a call for entry for all forms of film presentation. No specific parameters. All submissions will be considered. Shorts, features, docs, narratives, animation, experimental. Festival dates are May 31 to June 4.
To be considered, send password-protected Vimeo links to richard@ds-ff.com and/or jordan@ds-ff.com.
The awesome poster was created by Duluth artist Jonathan Thunder.
Fragments of chalk and glass in an oil painting
I’ll be talking about art on Saturday at Zinema 2 in an event sponsored by the Duluth Art Institute, for the showing of American Splendor. Here is other writing of mine on art; if you like it, I hope to be this elegant Saturday.
A Woman Bathing in a Stream by Rembrandt
When I was 22, I took the bus to New York and visited the Rembrandt/Not-Rembrandt exhibit.
I learned that conservators struggle with Rembrandt’s work, because he added ground chalk and bits of glass to the paint to add texture and to speed drying. These practices make the paintings hard to preserve hundreds of years later.
… fragments of chalk and glass in an oil painting, causing the paint to crack over time.
Those fragments have become integral to identifying a Rembrandt — a painting without them starts from the presumption of forgery. The bits of glass have become a sign of authenticity.
It is impossible to admire a Rembrandt without admiring the cracks and breaks caused by the ground and broken things.
… so it is with falling in love.
Selective Focus: Matthew Olin
Matt Olin is one of those artists whose work is impossible to have not seen. We get a look at some of his other creations as well as the sense of humor that finds its way into many of his projects.
Please tell us about the medium you work in and how you came to work in your style.
I typically work in Birkenstocks. Most people would refer to wearing Birkenstocks year-round in Duluth as a stylistic choice, so I guess you could say I come to work everyday in my style. When at work, I teach Interactive Design at UMD and create both self-initiated and client-based design solutions in my Birkenstocks. (more…)
Sonic Divide: States
This short art video by Payton MacDonald features paintings by Duluth’s Kenneth D. Johnson. Sonic Divide documents a performance-art piece in which MacDonald mountain biked more than 2,500 miles — from Mexico to Canada — while periodically stopping to perform music. (more…)
Show off your Homegrown photos
As we do each year, PDD is putting out the call for some super skinny horizontal images to put in the banner at the top of the page during Homegrown.All the regular guidelines apply.
If you have your sights set beyond the PDD banner, the Homegrown committee and the Duluth Art Institute are currently accepting submissions for the show that will hang at the Red Herring. (more…)
Two-Thing Story
I sat with my kids and played “two-thing story” as I tucked them into bed. This was a game where my kid picked two nouns out of the air and I had to come up with a story that included the two things. Then we swapped and I picked the two nouns and the kid would come up with a story. It was simple. Two kids, two things, and lots of laughs.
I like to make complex things simpler. I usually view my fellow man through a simple, digital filter. Ones or zeroes. Happy Shmo or Angry Shmo. Here’s an example: “There are two kinds of people: Those who think there are two kinds of people and those who don’t.” (Aren’t I clever?)
Here are some of the filters I use.
The first is called the Dunning-Kruger effect. David Dunning and Justin Kruger conducted studies and wrote a paper called “Unskilled and Unaware of It: How Difficulties in Recognizing One’s Own Incompetence Lead to Inflated Self-Assessments (1999).” They published it in the Journal of Personality and Social Psychology. I gather we live in a post-fact world, but this is science if you still care. This is what it says in the paper’s abstract: “People tend to hold overly favorable views of their abilities in many social and intellectual domains. The authors suggest that this overestimation occurs, in part, because people who are unskilled in these domains suffer a dual burden: Not only do these people reach erroneous conclusions and make unfortunate choices, but their incompetence robs them of the metacognitive ability to realize it.” (more…)
Selective Focus: Paul LaJeunesse
Paul LaJeunesse was recently chosen to be the Duluth Art Institute’s first Lincoln Park Craft District Artist-in-Residence. He talks about his work and his plans for the Lincoln Park project.
P.L.: My easel paintings are tempera and oil on canvas and the mural project will be acrylic on a substrate called PolyTab. The easel painting process is one I learned from Patrick Betaudier at the Atelier Neo Medici, which is often called Technique Mixte, which is just German for Mixed Technique. It’s a description coined by Max Doerner to describe the process used by the Northern European Renaissance painters, particularly in the Van Eyck studio. It uses alternating layers of achromatic, tempera paint with color, oil glazes. This layering can be repeated any number of times to create very luminous paintings that reflect light from within the painting. The mural process is one developed by Mural Arts in Philadelphia where the painting is created on the polytab cloth in a studio and adhered to the wall using acrylic binder, as opposed to creating the painting on site.
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Ticonderoga Teaser
A (very tiny) peek at the third Reflectivore visual installment. Past pieces at vimeo.com.
The Greatest Inventions of All Time
It’s difficult to pick one invention to stand out as the greatest of all time. There are so many manmade wonders that enrich our lives every day and make us question how we ever lived without them. For example: the wheel, the flushable toilet, beer, Velcro, eyeglasses, the atomic bomb and plastic storage containers.
The printing press and the Internet are certainly great inventions, but they make it just as easy to spread lies as the truth, so I can’t rate them high on my list. They certainly don’t rate above plastic storage containers, which have brought society nothing but positive outcomes.
It wasn’t long ago when people had to go to grocery stores and beg for flimsy cardboard boxes to package their belongings for a move. It was difficult to get a good grip on those boxes and I never knew when the bottom would fall out and all my Smurf glasses would smash at my feet. But plastic storage containers are lightweight, sturdy and stackable, with easy-to-grip handles on the sides. They are one of the greatest inventions of all time.
There are maybe a dozen inventions I would list ahead of plastic storage containers, and all of them are forms of contraception. I’d even put the withdrawal method near the top of the list. I know it’s not very effective, but it was a good start. (more…)
Artist scouting Duluth’s West End for mural location
College of St. Scholastica Assistant Art Professor Paul LaJeunesse was recently selected as the Duluth Art Institutes’s inaugural Lincoln Park Craft District Artist in Residence. LaJeunesse discussed project plans during an Advance Lincoln Park meeting today at the DIA Lincoln Center Arts for Education building. He said he is currently scouting the neighborhood for a mural location. The permanent work will incorporate images of people and places that represent the area. LaJeunesse has created public murals before, including “Confluence” for the North Shore of Chattanooga, Tenn. in 2014.
The aim of the residency program is to support the role of artists as effective community builders and to support and expand the revitalization of the Lincoln Park neighborhood, where the DAI has operated its satellite location for arts education since the early 1990s.
The inaugural year of the residency is scheduled for two terms, with LaJeunesse in residence March to June 2017. A national artist will be selected for the second term, July to September 2017.
Camp Gecko
[This post originally contained an embedded video that is no longer available at its source.]
Keegan Burckhard directed this video, which took first place at the University of Minnesota Duluth’s Yeti Film Festival.
Selective Focus: Stack Prints
Please tell us about the medium you work in, and how you came to work in your style.
Stack Prints is a pizza-eating boy band of four Duluth-based graphic designers, Cody, Taylor, Stephen, & Tyler. We run an online store, pull squeegees in our screen print shop, and advocate for art & design education. We’re kinda like the Teenage Mutant Ninja Turtles. (more…)
Escape
[This post originally contained an embedded video that is no longer available at its source.]
Keegan Burckhard directed this video as a part of his senior exhibition as a digital art and photography student at the University of Minnesota Duluth. It was projected in the Tweed Museum of Art Feb. 14-19.
Duluth art scene finds place in Lincoln Park craft district
Duluth Pottery co-owners Tom Hollenhorst and Karin Kraemer pose in the loft of their new art studio with partner artist Luke Krisak. Duluth Pottery is remodeling the former P&J Paint building in the West End.
The art world is quickly carving out space for itself in an ambitious neighborhood revitalization project in Duluth’s West End neighborhood.
An established Twin Ports potter, a new gallery and retail store with studio space and an arts arm of an American Indian social service organization have all recently announced plans to renovate and open buildings on West Superior Street. All three projects fall within the boundaries of the Lincoln Park Craft District, a rebranding and redevelopment effort organized by neighborhood businesses last year. (more…)
Pornography, or, “Worst First Dates”
In 1999, my ex-husband gave me a computer. I was pretty glad to get it. I had mastered emailing, and was ready to move on to the really exciting things, like AOL and internet porn.
Let’s get this clear right away: I’m not a huge porn fan. My porn experience at that point was limited to the following:
1. A couple of magazines unearthed by a 13-year-old me, in ~1985 in my mom’s friend’s attic. They were evidently from the 1970s. My suspicion was based largely on the unusual prevalence of mustaches and floppy boobies. (Throw in a headshot of Spiro Agnew and my argument is airtight.) They were disturbingly graphic and unaltered. Sans digital enhancement, the naked people all looked like slabs of pork tenderloin. With mustaches and floppy boobies.
2. A porn movie a boyfriend rented to watch with me. Everyone seemed really, really angry in it. With the volume down, their sexing faces all looked like they were watching Newt Gingrich pole dance in assless chaps and an American flag tank top. (He has bootstraps tattooed on his inner thighs, by the way. Interesting tidbit.)
3. My parents’ copy of The Joy of Sex, which was hidden under some sweaters in my dad’s closet. Finding that book in that spot was the single best abstinence education any parent could possibly provide. The idea of my disgusting parents contorting their old disgusting bodies into those disgusting and inexplicable configurations was enough to keep me from so much as holding hands until I was 16 years old. (more…)
Selective Focus: Heidi Ash

This week’s Selective Focus subject is our most delicious one yet. Heidi Ash has made chocolate her medium of choice.
H.A.: My goal is to make life more beautiful and delicious one truffle at a time. I work with French chocolate, hand-made caramel sauces, and the best ingredients possible. What gets left out is just as important: preservatives, corn syrup and RBST from the whipping cream and butter.
185Chocolat is a culmination of passions. The 185 represents the number of my heart transplant at the Mayo Clinic, which not only saved my life but altered the quality of it for the better in ways I could not imagine. (more…)
Selective Focus: Carrie Schaefer

Carrie Schaefer is a Duluth graphic designer, illustrator and screen printer. She tells us how she started selling her own products with her designs on them.
C.S.: I’ve been doing all kinds of design work since 2008 (marketing materials, illustrations and logo design). A couple years ago, I got the itch to learn screen-printing. My husband, who is also a graphic designer, taught me a little bit about the process and I was able to pick it up pretty quickly. It soon became a fun and exciting craft for me. My processes starts with an illustration on paper, moves to digital, then to a negative on a transparency, transferred to a silk screen using emulsion, and finally ink is drawn across the screen to yield a printed image. (more…)
Duluth MakerSpace in full swing
Duluth’s 10,000+ sq. ft. cooperative member workshop is in full swing this month. Duluth MakerSpace offers a different class or event every night in February — everything from welding to electronics to soap making. Wednesday nights are also free demo nights with a different demonstration each week.
Paid membership is not necessary to take classes or attend demo nights. (more…)
Selective Focus: Jeff Lemke
Jeff Lemke operates a web site, Twin Ports Rail History, and Flickr account where he posts photos he has taken as well as photos he has collected documenting the history of the rail business in Duluth and Superior. We are showing a very small sample of the images here, but you really need to check out the collection he has, as well as read his descriptions for each photo. If you are so inclined, you can also donate to keep the project going. It really is an impressive historical collection.
J.L: Most people look at my site and think it is about trains. Perception is reality in most cases. But for those who actually look closer and read the details of each image that I post, they discover that it’s really a developing story in pictures about the people who worked for the railroads and the industries that those railroads collectively served. The locomotives, railroad cars, and facilities that each railroad used were in a constant state of flux—right from the beginning. During the late 1880s railroads like the Northern Pacific and Great Northern established strongholds of land in Duluth and Superior respectively, on which they built their inland-port empires. Other railroads came along, prospered too, but to a much lesser degree.
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Hell of a View
Not having grown up in Duluth, I missed the purported crosstown rivalry. My tribe lives next door, across the border: the People of the Cheese.
Duluth: “Where rail meets sail.” Where rustic meets rustbelt. Where woodtick meets moonbeam, and uphill meets down. You’re a microcosmic casserole, a dichotomous hotdish, Duluth, where stone meets water, and water meets sky. Actually, between water and sky is a thin slice of Wisconsin, appearing blue because of the way light scatters across the distance, and sometimes distance is good. You see, people often end a sentence with the phrase, “but there’s always Wisconsin,” as in, “we can’t get no drunker here, but there’s always Wisconsin,” or, “we don’t make lampshades from human skin, but there’s always
Wisconsin,” and so on, lending a certain comfort to the color blue, and the distance it conveys.
Driving into downtown from the west feels like entering an architect’s model, as the street burrows between stubby office buildings along the table of land between harbor and hill. When I moved here, freeway and mall had already drawn and quartered the business district, and it was the nadir of the Reagan recession. The industrial boomtown started busting as the high-grade ore played out in the 1950s, and by the late ’70s competition from abroad arrived, along with bumper stickers reading, “ Eat Your Foreign Car.” While the early ’80s were cloaked in a campaign slogan touting, “Morning in America,” around here we wondered if there was a bottom to this freefall, which might at least afford a dead-cat bounce. (more…)
Schweiger takes People’s Choice Award at DAI membership show
The People’s Choice Award at the Duluth Art Institute’s 2017 Membership Exhibition on Thursday went to Annie Schweiger for her oil painting titled “The Winston.” The award recognizes the audience’s favorite work out of more than 175 on view in the Great Hall of the Duluth Depot.
Schweiger hails from Anoka, and moved to Duluth as a transfer student to attend the University of Minnesota-Duluth. She majored in graphic design and minored in studio art. Shortly after graduation she was hired by HTK Marketing as a graphic designer. She continues to work in the fine arts during her free time, and is available for commissions.
Her winning painting, “The Winston,” is a portrait of a long-haired Chihuahua, Winston, which her colleague Mike Scholtz brings to work every day. The pet portrait captures the dog’s sly glance and features the animal formally attired in a crimson beret with gold trim, a starched ruff and a jacket. The whimsy of the scene is countered by the photorealistic skill of the depiction and a subdued color palette.
The “2017 Annual Membership Exhibition” is on view through Feb. 24.



