Jim Richardson (aka Lake Superior Aquaman)
Minnesota Land Surveyor’s Deathbed Confession, 1907
The text below is reproduced from a handwritten document that slipped out of a book of maps at the Minnesota Historical Society. Its authentication remains in progress.
I die happy seeing the completion of the Minnesota land survey, and the dissolution of the Office of the Surveyor General. He surveyed himself out of a job. We all did, the great work of our lives. It took five decades. But holes were chopped through the state that cannot be filled. I discovered a flaw in the measurements in the summer of 1855 when we were still just a territory. And I have knowledge of the disappearance of my hated competitor as he fell between the parallels, in the woods of what is now northeast Duluth.
Many surveying companies were employed by the Surveyor General. Mine was one and I was sworn in as a deputy surveyor. Rough work. We camped away from home for months, in 10-man teams: axe-men, chainmen, cooks, and muleskinners. Our families didn’t know if we were alive or dead until we returned (or failed to) for the winter break. (more…)
Great Lakes Now: A Different Perspective on the Fur Trade
Great Lakes Now interviews artist/historian Carl Gawboy about his book Fur Trade Nation: An Ojibwe’s Graphic History.
BBC: Duluth as climate refuge
https://www.bbc.com/news/articles/c4g334eppm7o
The spotlight is on Duluth in this BBC article on “climate havens.”
The Grateful Dead vs. The Velvet Underground
The 2024 death of Grateful Dead bassist Phil Lesh reminded me: I discovered the Grateful Dead and the Velvet Underground at the same time. The bands still exist as a unity in my mind, even after I figured out they were polar opposites.
My 1980s high school girlfriend was from the Northeast around Connecticut and New York City. She fused goth, punk, and hippie vibes. When we were 18, we took acid in her Austin, Texas shack. That’s where she DJ’d for me, on vinyl, the Grateful Dead and the Velvet Underground.
I’d heard the bands but never listened. She played the 1970 Dead tune “Box of Rain,” written by Lesh about the death of his father. Then we listened to “Rock & Roll,” the 1970 VU tune by Lou Reed about music as refuge, with Sterling Morrison on lead guitar. It all sounded like sheer Americana to me.
In the 1990s I became more of a Velvet Underground guy, from the band’s proto-punk stuff. But then I dated a Deadhead in Berkeley, and she took me to some Dead shows. That’s when I really got what the Dead fuss was about. I enjoyed my first show plenty, just for the carnival atmosphere, not having a deep knowledge of their discography. But then they covered “Johnny B. Goode” and the top of my skull lifted off. The secret of Dead shows is they piled crescendo on crescendo until you hit peak bliss, then they kept climbing. Yes I was on mescaline. (more…)
Coast Guard vs. Illegal Fishing Shelter
The Duluth-based YouTube channel Vibe with Mike has the story. Spoiler alert: Coast Guard wins.
How Minnesota shaped the ‘freewheelin’ Bob Dylan
This installment of the WCCO radio program A Closer Look with Laura Oakes delves into Bob Dylan’s Minnesota roots. It aired Dec. 19. Duluth comes up.